Friday, September 9, 2016
2 Techniques for Coming Up With Premises
So about a week ago, I had a friend ask me how I come up with story ideas. This is a friend I talk to often and so she knows I always have way more stories in my head than I actually get around to writing. So her question was really more about how I can come up with so many things that can potentially turn into books. We also briefly discussed how to fill out a plot.
For me, it's not very different from coming up with full premises. I have ideas for certain things--often they're situations without full stories attached, or lines of dialogue I think are awesome and want to incorporate. There are hundreds of these little nuggets floating around in my head or in various untidy notebooks that litter my work space. So when I need to round out a plot or character, I often draw on these little idea. Generally I have to find some way to mold them to the story I'm already telling, which can change them a lot from what I had in mind at their inception. But I'll tell you, lovely readers, this is often where the magic happens.
So how to come up with these premises or little idea nuggets? In my mind, there are two major ways to do it. Either on purpose (sort of forcing it, if you will) or just paying attention to the things that you find interesting. Let me explain.
1. On Purpose - I talked about this a lot in THIS POST and it's a technique I learned from the wonderful Clint Johnson. I know from my description above about forcing it, many people will balk. But I don't mean "forcing it" in the sense you're probably thinking. This is really just about being creative on purpose.
|My prowling wolf painting.|
You'll find once you get started that you can go until your hand cramps (or your kids jump on you, your alarm goes off, whatever yanks you unceremoniously out of the Zone). It's such a great exercise for getting the creative juices flowing. Even if what you come up with in any given session doesn't turn into a best-selling novel, you can still come up with nuggets to sprinkle into your writing. Fill in gaps. And occasionally round out stories that win Pulitzer Prizes. (Disclaimer: Have I ever used this technique to win a Pulizter?...No. Other awards yes, but the Pulitzer no. ;D)
|(Blurred some plot|
stuff out. ;D)
So my friend asked me to give her an example of something I thought was interesting that might turn into a story. Well, I think most of my books have at least something that would qualify, but the example I gave her has to do with a book I'm currently reading and a story I'm not actually writing at present.
As most of you who follow me know, I'm just a little bit fascinated by serial killers.
|Just a little bit. ;D |
Some time ago--I'm not even sure when or where I first heard it--I learned a little something about the Butcher of Kingsbury Run. He was a prolific serial killer in Cleveland, Ohio in the '30s. The book I'm reading is a non-fiction about the case (In the Wake of the Butcher by James Jessen Badal). But I'm honestly not interested in the Butcher solely bc he was a serial killer (I've read about tons of those) or even because he was never caught (though that does up the interest factor a bit). What REALLY made me interested in the case was finding out that Eliot Ness--yes THE Eliot Ness who brought down Capone and founded the Untouchables--presided over the case. And this was years after his success with the Chicago mob.
Ness was known for being traditional to a fault, extremely moral, and unrelenting in both his strictness and effectiveness at rooting out police corruption. So what would a man like that do with a case that involved an elusive serial killer? How would he handle body parts bobbing in the river every few months, and not being able to stop it. A case like this isn't something you can control or predict. I think it would be an interesting character sketch to explore how a man like Ness (ladybug to Capone's aphid) would react to a situation like that. And then there's the fact that it was never solved. Unlike in Chicago, Ness never got his man.
THAT'S the kind of stuff that fascinates me. THAT's the kind of stuff I want to learn and write about.
Now, chances are EVENTUALLY some piece of writing will come from my research on this, but I have a lot more to do, especially on Ness himself. (The book I'm reading is really more about the facts of the case.) But the point is, I just read a single line about how Eliot Ness eventually presided over the Butcher case and went, "Huh. That's kind of interesting." Boom. A story is born. Don't underestimate the power of tiny tidbits that catch your attention for a few seconds. Write them down, or you'll never know the potential they could have had.
So, what techniques do YOU use to come up with story premises or fill out already-existing plots?